When it comes to the action well, 'Dawn' is not your usual summer blockbuster. But nearly every other aspect of the movie has been realized equally well: Michael Giacchino's haunting musical score fits and reflects the drama on screen perfectly, while the – often terrifying – beauty of the images on screen had me immediately wondering who the DoP was (now I know: Michael Seresin, the genius veteran DoP of such classics as 'Midnight Express' and 'Angel Heart'). It only took me seconds to forget I was watching digital characters (brought to life through the outstanding motion-capture performances by Andy Serkis, Toby Kebbell and Judy Grier – to name but a few), and I can't begin to imagine what a task it must have been for the artists and wizards in the animation department to work on every background and every tiny little detail of every character until this level of seamlessness and reality could be achieved. I'm normally very critical towards the (over-)use of CGI – but the level of craftsmanship displayed here simply has to be admired. What needs to be mentioned first is what an astonishing achievement 'Dawn' is when it comes to the use of CGI. As with all my reviews, instead of giving away any details about the story, I'll elaborate on all other aspects of the movie. The storyline picks up ten years after we saw Ceasar and his fellow simian escapees seek refuge in the woods near San Francisco, and although the film's trailers already gave away pretty much everything that happened during that time (and alas, way too much of what will happen), I'm not going to spoil anything for those who carefully avoided watching said trailers. Having said that, 'Rise' practically pales in comparison to Matt Reeves' sequel: the upcoming 'Dawn of the Planet of the Apes' is as close to a Science-Fiction masterpiece as a 170 million PG-13 Hollywood summer blockbuster can possibly get.
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Among Hollywood's recent output of mediocre (and in some cases: downright abysmal) remakes of Sci-Fi classics, 'Rise of the Planet of the Apes' was the rare movie which stood out, for it had as much of a brain as it had a heart – plus an original approach to the well-known material and great visuals.
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